of Princeton joined me this morning to discuss his new book Begin Again: James Baldwin’s America and Its Urgent Lessons For Our Own, one of the most compelling books I’ve ever –and that’s 50 years of reading there– encountered.
What did you think of this article? Let us know at a chance to appear in our reader’s letter page.Professor Eddie Gaude Jr. is the author of Begin Again: James Baldwin’s America and Its Urgent Lessons for Today, out now. Reading No Name in the Street today offers us resources to survive the latest American betrayal, and inspires us to imagine how we might begin again.Įddie S.
Time folds back on itself he repeatedly shifts between the past and present. Baldwin writes without concern for the white gaze, mirroring trauma and fragmented memory in the very way he structures the book. Instead, he writes to pick up the pieces and offer his readers reasons to continue to fight for what he calls elsewhere “a New Jerusalem”. His focus also shifts: unlike in Notes of a Native Son and The Fire Next Time, Baldwin seems less concerned about white America – they will have to save themselves. One cannot help but notice Baldwin’s anger in No Name it drips from the page. In many ways, the book is about the trauma of loss, the fragmentation of memory, and the desperate struggle to hold on to hope. Here, Baldwin offers a tragic assessment of the Black Freedom movement and an unsparing judgment of the nation’s betrayal of that movement. If The Fire Next Time was prophecy, No Name in the Street was the reckoning. This is Baldwin’s first book after the assassination of Dr Martin Luther King, Jr. Here are five suggested books that offer a wonderful point of entry to his writings and demonstrate his ongoing relevance to our troubled times. He willed himself into becoming one of the world’s most important writers and the most insightful critic of American democracy and race this country has ever produced.Īnyone interested in beginning a journey through Baldwin’s body of work will have to move across genres, but one can hear the distinctiveness of his voice in any form. Baldwin left the United States in 1948 for Paris – “My luck was running out,” he archly asserted in a 1984 interview for The Paris Review “I was going to jail, I was going to kill somebody or be killed” – where he became the poet who would fearlessly “describe us to ourselves as we are now”, as he put it. Throughout his lifetime as a novelist, essayist, poet and playwright, Baldwin brilliantly chronicled his tortuous relationship with his stepfather, his crisis of faith, his sexuality, and his intense desire to tell the stories that swirled around in his head. Born on Augin Harlem Hospital in New York City, James Baldwin grew up poor in the heart of the Great Depression, the oldest in a family of nine children – yet he would become one of America’s most significant and celebrated authors.
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